![]() This area of the exhibition sees the reconstructions of one bedroom interior by Hoffman and another by Loos. Modern Lifestyles, the exhibition’s third and principal chapter, comprises the significant part of Viennese modernism from 1897 to 1910. It was the influence of individuals such as Wagner that formed the basis on which the Vienna Secession (with Josef Hoffman) and Adolf Loos (in opposition to that group) would go on and build their oeuvres. It begins with a digest of the various accomplishments made by the precursors to the modernist movement, including those of Austrian architect Otto Wagner, the ''father of Viennese Modernism'' (whose design strategy and key works are also the focus of chapter two). The exhibition Ways to Modernism: Josef Hoffmann, Adolf Loos, and Their Impact is set across five segments (chapters). Loos also aimed to create modern culture, committing himself to ideas that were both evolutionary and liberating and believed the intention of architecture and design was to create an enduring and unobtrusive background, thereby leaving room for individual self-expression. Whereas Hoffman was of the opinion that architecture and design were artistic projects and strove to produce modern art, Loos viewed art as autonomous and far removed from the manufacturing of everyday buildings and household items. Environments were fully composed, finely crafted and aesthetic.Īdolf Loos (1870–1933), a pioneer of the modern movement in architecture, considered architecture as integral to people’s lives rather than remote or detached. It had a clear aim: ''to make all facets of human life into one unified work of art.'' At the Wiener Werkstaetten, both architecture and interior design were unified artistic projects, with every element from structure to tableware considered part of one package. Inspired by the ideals of the Secession, in 1903, Hoffman established a fine arts enterprise known as the Wiener Werkstaetten (Vienna Workshops). ![]() Hoffman played a central role in the formation of the Vienna Secession (an artistic movement headed by the painter Gustav Klimt) which was established in 1897 and represented the growing discontent felt at the time with the more traditional and somewhat elitist practices of the Vienna Künstlerhaus. Vienna, a leading cultural destination at that time, saw its middle classes - from artists to architects - strive to emancipate themselves from the aristocracy’s domination. Josef Hoffmann (1870–1956), an architect and designer, was a creative mastermind who believed in the power of the aesthetic.
0 Comments
Leave a Reply. |